HARD ROCK
FORUM
Post by Monsters of Rock on Mar 19, 2021 12:58:30 GMT 10
KISS: Hotter than Hell
After the poor sales of the debut Kiss album and the fact that Casablanca was bleeding money on the tour, Neil Bogart wanted the band to get back in to the studio to record their next album. While on Los Angeles for a show in August of 1974, Kiss started recording their follow-up. The band’s line-up was unchanged and the producers were unchanged as Kenny Kerner and Richie Wise were behind the boards again. And yes, they are to blame for the awful sonics on this record, especially the dull drum sound.
Let me tell you, the band was not thrilled with doing this album in L.A. These guys are New York guys and this whole new environment was foreign to them and not home. Put that along side the fact they have had zero time to write new songs, they weren’t being setup to succeed. They plowed through and by October 22, 1974, the album was released and actually performed worse than the debut album which is no easy feat as that one did poorly.
Before we go in to the music, can we talk about that cover? Of course we can, it’s my blog. I remember seeing this cover as kid of maybe 7 or 8 and thinking how cool this was with all the Japanese writing (now not sure I really knew it was Japanese, but it was still cool). The album concept was done to mimic the look of Japanese comics and if you notice that little character at the bottom…
That character stands for the word “Chikara” and if you know that then you know that is the name of a greatest hits package by the band that was only released in Japan in 1988. It is on my grail list to get a copy. If you are interested, “Chikara” means power. And there were other Japanese lettering on the album cover. The lettering in the top right corner of the album actually means “the shout of hell” which isn’t the same as “hotter than hell”, but not sure if that was the intent or not.
Can we flip that album cover over and see the back? Yes, yes we can.
The Japanese theme continues with the large Kabuki mask with pieces of everyone’s make-up was really awesome. But let us not forget about the shots of each band member at some wild and very strange party. Well strange for Ace and Gene and wild for Paul and Peter. Now those two were living the rock & roll dream. As a kid, seeing the half-naked women was something else and Peter’s girl with the little star on her boob was my favorite. Okay, that is enough album cover discussions, it is time for some music.
The album opens with the song “Got To Choose” which was written and sung by Paul Stanley. The song opens with darker tone with a lot of bass and a drum sound that felt heavier in a mood sense not in pounding on the drum heavier. It slowly chugged along. The guitar riff was something Paul took from the Wilson Pickett song ‘Ninety-Nine And A Half (Won’t Do)’ and Ace hit on nice solo to open the album. A great opening track for me.
Then we get to the first of 3 songs written by or with Ace Frehley. This one, “Parasite” was solely Ace, but he still didn’t have the confidence to sing so Gene is on vocals for this one. That opening guitar riff is so freaking awesome. This is one of those songs that feels like Gene and the Demon personae. It is a hard driving, guitar heavy menacing rock song and an early favorite of mine. It was also Ace’s solo that stuck with me as well and I find to be one of his best.
Next up is a song Gene wrote with his old friend Stephen Coronel back in their Wicked Lester days. The song is “Goin’ Blind” which is actually about a very old man (93) dating a very young, underage girl (16). I believe the original title was “Little Lady”. It is a rather disturbing song, but it works. And this is actually considered to be one of the band’s very early ballads as it is a slower tempo song and there is an evil little sweetness to it as well. Another great Gene track for me too.
“Hotter Than Hell” was written by Paul and another song he stole from somewhere else. This one is basically a re-write of the Free song “All Right Now” and you can hear that Free influence in it. The song is about picking up a woman in a bar and having your way and it turns out she’s married which burns you like the midday sun. Oh, good times. To keep with the Japanese theme, the song has Peter hitting a giant gong for added affect.
The first single off the album was “Let Me Go, Rock ‘n’ Roll” which is a Gene and Paul co-write which gets fewer and fewer as time goes on. Gene sings this one and it is basically a great little rock & roll anthem for the band. Ace plays some great riffs and Peter keeps the fast tempo going as the song flies by at breakneck speed. As a single, the song failed to even chart. It’s a fun song, but not a top rated one so I can see why it didn’t chart. Better songs on here that should’ve been released instead.
Side Two opens up with the first of two Gene songs in a row. “All the Way” is a basic song, not very memorable for me and doesn’t usually end up in any of my favorite Kiss playlists that I have going. Not too heavy, not outstanding riffs, no real catchy chorus and Ace’s solo doesn’t blow me over the moon either.
However, “Watchin’ You” is a completely different story. Now this opens with a cool riff and some heavy bass and rocks out a lot more. It has a dark edge to it and fits Gene better. And wait until you hear it on Alive! Damn! I even like Peter’s drumming on this one. Those early years, Peter could play the shit out of the drums and he was one of the highlights of this song.
Then we get the first of two Peter sung songs on this side, “Mainline”. Paul actually wrote the song, but let Peter sing. It is not a rock song, lays more in the pop or R&B range as Peter is more comfortable in that area. It is often overlooked song, but it is really cool. Believe it or not, there are several Peter sung tracks I like and this is one of them.
Now we get a rare treat, a song co-written by Ace and Paul. I can’t think of too many of those. Paul takes the vocals on this one, “Comin’ Home”. It is a very upbeat almost cheery little diddy. Considering most of the album has a little darker edge to it, this one almost feels out of place, but doesn’t mean it isn’t a good song. It is just different.
The final tracks is “Strange Ways” which is the 3rd song with Ace on the writing credits. Peter sings this one and he hits it out of the park. One of my favorite Peter songs. It has a darker, edgier really heavy feel to it. And the Ace solo, hello!! Done in one take, Ace simply nails it and you need to hear this one. You know I said the “Parasite” solo was one of my favorites, this beats that one.
Track Listing:
Got To Choose – Keeper
Parasite – Keeper
Goin’ Blind – Keeper
Hotter Than Hell – Keeper
Let Me Go, Rock ‘n’ Roll – Keeper
All the Way – Delete
Watchin’ You – Keeper
Mainline – Keeper
Comin’ Home – Keeper (1/2 Point)
Strange Ways – Keeper
As far as a track score goes, there is only one that I would delete and another that is so-so and I will deduct a 1/2 point for. That leaves a Track Score of 8.5 out of 10 or 85% which is really great…however…
There are some issues with this album. The sonics are terrible. I didn’t want to beat the dead horse with it in each song discussion, but it is horrible. It has a very muddied sound and the drums don’t even sound right. Overall a very poor production. I does detract from the album at times, but I still love this album as well. Production aside, this is still a 4.0 out of 5.0 Stars. Let me know what you think.
2 Loud 2 Old Music Review website
After the poor sales of the debut Kiss album and the fact that Casablanca was bleeding money on the tour, Neil Bogart wanted the band to get back in to the studio to record their next album. While on Los Angeles for a show in August of 1974, Kiss started recording their follow-up. The band’s line-up was unchanged and the producers were unchanged as Kenny Kerner and Richie Wise were behind the boards again. And yes, they are to blame for the awful sonics on this record, especially the dull drum sound.
Let me tell you, the band was not thrilled with doing this album in L.A. These guys are New York guys and this whole new environment was foreign to them and not home. Put that along side the fact they have had zero time to write new songs, they weren’t being setup to succeed. They plowed through and by October 22, 1974, the album was released and actually performed worse than the debut album which is no easy feat as that one did poorly.
Before we go in to the music, can we talk about that cover? Of course we can, it’s my blog. I remember seeing this cover as kid of maybe 7 or 8 and thinking how cool this was with all the Japanese writing (now not sure I really knew it was Japanese, but it was still cool). The album concept was done to mimic the look of Japanese comics and if you notice that little character at the bottom…
That character stands for the word “Chikara” and if you know that then you know that is the name of a greatest hits package by the band that was only released in Japan in 1988. It is on my grail list to get a copy. If you are interested, “Chikara” means power. And there were other Japanese lettering on the album cover. The lettering in the top right corner of the album actually means “the shout of hell” which isn’t the same as “hotter than hell”, but not sure if that was the intent or not.
Can we flip that album cover over and see the back? Yes, yes we can.
The Japanese theme continues with the large Kabuki mask with pieces of everyone’s make-up was really awesome. But let us not forget about the shots of each band member at some wild and very strange party. Well strange for Ace and Gene and wild for Paul and Peter. Now those two were living the rock & roll dream. As a kid, seeing the half-naked women was something else and Peter’s girl with the little star on her boob was my favorite. Okay, that is enough album cover discussions, it is time for some music.
The album opens with the song “Got To Choose” which was written and sung by Paul Stanley. The song opens with darker tone with a lot of bass and a drum sound that felt heavier in a mood sense not in pounding on the drum heavier. It slowly chugged along. The guitar riff was something Paul took from the Wilson Pickett song ‘Ninety-Nine And A Half (Won’t Do)’ and Ace hit on nice solo to open the album. A great opening track for me.
Then we get to the first of 3 songs written by or with Ace Frehley. This one, “Parasite” was solely Ace, but he still didn’t have the confidence to sing so Gene is on vocals for this one. That opening guitar riff is so freaking awesome. This is one of those songs that feels like Gene and the Demon personae. It is a hard driving, guitar heavy menacing rock song and an early favorite of mine. It was also Ace’s solo that stuck with me as well and I find to be one of his best.
Next up is a song Gene wrote with his old friend Stephen Coronel back in their Wicked Lester days. The song is “Goin’ Blind” which is actually about a very old man (93) dating a very young, underage girl (16). I believe the original title was “Little Lady”. It is a rather disturbing song, but it works. And this is actually considered to be one of the band’s very early ballads as it is a slower tempo song and there is an evil little sweetness to it as well. Another great Gene track for me too.
“Hotter Than Hell” was written by Paul and another song he stole from somewhere else. This one is basically a re-write of the Free song “All Right Now” and you can hear that Free influence in it. The song is about picking up a woman in a bar and having your way and it turns out she’s married which burns you like the midday sun. Oh, good times. To keep with the Japanese theme, the song has Peter hitting a giant gong for added affect.
The first single off the album was “Let Me Go, Rock ‘n’ Roll” which is a Gene and Paul co-write which gets fewer and fewer as time goes on. Gene sings this one and it is basically a great little rock & roll anthem for the band. Ace plays some great riffs and Peter keeps the fast tempo going as the song flies by at breakneck speed. As a single, the song failed to even chart. It’s a fun song, but not a top rated one so I can see why it didn’t chart. Better songs on here that should’ve been released instead.
Side Two opens up with the first of two Gene songs in a row. “All the Way” is a basic song, not very memorable for me and doesn’t usually end up in any of my favorite Kiss playlists that I have going. Not too heavy, not outstanding riffs, no real catchy chorus and Ace’s solo doesn’t blow me over the moon either.
However, “Watchin’ You” is a completely different story. Now this opens with a cool riff and some heavy bass and rocks out a lot more. It has a dark edge to it and fits Gene better. And wait until you hear it on Alive! Damn! I even like Peter’s drumming on this one. Those early years, Peter could play the shit out of the drums and he was one of the highlights of this song.
Then we get the first of two Peter sung songs on this side, “Mainline”. Paul actually wrote the song, but let Peter sing. It is not a rock song, lays more in the pop or R&B range as Peter is more comfortable in that area. It is often overlooked song, but it is really cool. Believe it or not, there are several Peter sung tracks I like and this is one of them.
Now we get a rare treat, a song co-written by Ace and Paul. I can’t think of too many of those. Paul takes the vocals on this one, “Comin’ Home”. It is a very upbeat almost cheery little diddy. Considering most of the album has a little darker edge to it, this one almost feels out of place, but doesn’t mean it isn’t a good song. It is just different.
The final tracks is “Strange Ways” which is the 3rd song with Ace on the writing credits. Peter sings this one and he hits it out of the park. One of my favorite Peter songs. It has a darker, edgier really heavy feel to it. And the Ace solo, hello!! Done in one take, Ace simply nails it and you need to hear this one. You know I said the “Parasite” solo was one of my favorites, this beats that one.
Track Listing:
Got To Choose – Keeper
Parasite – Keeper
Goin’ Blind – Keeper
Hotter Than Hell – Keeper
Let Me Go, Rock ‘n’ Roll – Keeper
All the Way – Delete
Watchin’ You – Keeper
Mainline – Keeper
Comin’ Home – Keeper (1/2 Point)
Strange Ways – Keeper
As far as a track score goes, there is only one that I would delete and another that is so-so and I will deduct a 1/2 point for. That leaves a Track Score of 8.5 out of 10 or 85% which is really great…however…
There are some issues with this album. The sonics are terrible. I didn’t want to beat the dead horse with it in each song discussion, but it is horrible. It has a very muddied sound and the drums don’t even sound right. Overall a very poor production. I does detract from the album at times, but I still love this album as well. Production aside, this is still a 4.0 out of 5.0 Stars. Let me know what you think.
2 Loud 2 Old Music Review website
