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Post by Monsters of Rock on Mar 13, 2021 19:27:51 GMT 10
In this infamous appearance, The Doors are asked to modify the word 'higher' in "Light My Fire". The Doors oblige, and do so in rehearsal, but during the live broadcast Jim sings the song as it was originally written and recorded. The Doors are never invited back. The Doors also perform their new single "People Are Strange" in a segment prior to the later "Light My Fire" segment from this historical performance. September 17th, 1967: Ed Sullivan Theatre, New York
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Post by Monsters of Rock on Mar 13, 2021 19:28:44 GMT 10
When The Doors Defied Ed Sullivan
More than fifty years ago, on September 17, 1967, The Doors defied Ed Sullivan and the CBS censors by refusing to change the word “higher” while performing their #1 hit, “Light My Fire,” on The Ed Sullivan Show.
Recalled Doors’ drummer John Densmore, “‘You will never do this show again,’ Ed fumed after we’d directly disobeyed his censorship requirements. Jim turned to him and remarked, ‘Hey, that’s okay—we just did The Ed Sullivan Show.’”
Doors’ guitarist Robby Krieger’s reaction was, “We thought they were joking. Who were they kidding? Wanting us to change the lyrics on the number one song in America? We decided to just do the song as-is and maybe they would forget all about it. What could they do? After all, it was live television! So, yeah, we never played The Ed Sullivan Show again. But we didn’t care.”
It may seem ridiculous today, but The Doors’ action created an absolute furore and media firestorm. Almost anything goes on today’s television, but America’s prudishness about drugs, sexuality and “the counterculture” in the 1960s was extreme by modern standards. In fact, just a decade earlier, Lucy [Ball] and Desi [Arnaz] had to sleep in twin beds, and the word “pregnant” couldn’t be uttered on television.
“Light My Fire” was not the first time The Ed Sullivan Show, a Sunday-night viewing ritual in American homes, had censored pop music performers—Elvis and the Rolling Stones included. The Doors’ famous moment was dramatized in the 1991 Oliver Stone film The Doors.
As Doors’ co-founder and keyboardist Ray Manzarek explained in an interview filmed in 1991, Jim Morrison and his bandmates decided they would not buckle to the network censors. Manzarek promised the CBS executive just before the performance that they would go ahead and replace the offending lyric. But they would be performing live, so the Doors knew that they could get away with singing the controversial song as it was written. In the process, the Doors won their battle with CBS and made television history.
Until producers at SOFA Entertainment decided to dig into the Sullivan production files in Sept. 2017, they had no idea what lyrics the network was suggesting Morrison sing instead of the song’s infamous line.
Andrew Solt of SOFA Entertainment, the company that owns the Sullivan archive, relates how the discovery occurred. “Greg Vines and I discussed how good it would be if we could find the word CBS wanted Morrison to sing instead of ‘higher.’ When Greg returned from the vault, he was elated. “You won’t believe it. We not only have the word; we have the whole line! Instead of ‘Girl we couldn’t get much higher’ Jim was asked to sing, ‘Girl, there’s nothing I require.’ It’s laughable. Imagine Morrison singing ‘require’ instead of ‘higher’?”
JAM, Inc.’s Jeff Jampol, manager of the Doors, and of the Morrison Estate, was also surprised by the discovery of the absurd suggested replacement lyrics. “It’s fascinating to get an inside peek at how television, the media and corporate culture continually conspired to censor art and free expression, all in the name of selling more cereal, while at the same time, they were co-opting pop culture themselves (and definitely not for the betterment of art). But even more scintillating to me is to take a look back at a time when artists took a stand, not only for their art, but for their ideals and for freedom of expression—their own, as well as others’. It’ a refreshing reminder and contrast to so many of today’s mainstream artists who seemingly refuse to take a stand, to speak out against injustice, or who are unwilling to put their wallet (and sometimes, their entire career) on the line to take a stand for anything, let alone freedom of artistic expression. Thank God for Jim Morrison; thank God for the Doors.”
September 17th, 1967: Ed Sullivan Theatre, New York
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